Deconstruction of a tea house

This is a fascinating deconstruction of a tea house. It’s all glass, whereas tea houses of the past were dark, enclosed spaces where you could hardly see. Light and shadow were paramount aspects. But here – all is revealed.

I would love to have tea in this space. Moving through the Roji one is certainly transformed.

Glass tea house

This glass tea house mondrian’ by Japanese artist Hiroshi Sugimoto unites wood, glass and water as a pavilion, holding the traditional Japanese tea ceremony within its transparent wall. Read more about this tea house inspired by Venetian Glass.

 

Trillium satori

Yesterday, as I was walking through my garden with a friend, she discovered this wonderful and mysterious Trillium – a precious, native orchid. It was hidden away and I had no idea it was in the garden. Did I plant this years ago and forgot about it?

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A Trillum is loved for its flower, which is amazing, but also admired for the three large leaves that dress it. It’s called a ‘Wake Robin’.

I was so thrilled to find it. It’s a perfect flower for Chabana, a flower to use in the tea room. I couldn’t resist and cut one flower.

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Trillium in a bamboo basket in the shape of an arrow quiver by Matsumoto Hafu – signed on the back.

 

How beautiful. But then I found out that one should not cut Trillium as they spread by seed. And they’re rare. Oh no. I had cut-killed this beautiful wild thing from my garden.

But last night seeing this wild orchid during zazen meditation in the tea house – I could see the whole perfection of the universe in it. No kidding. And you would have too. Satori isn’t just for the few. It’s for all of us at anytime.

Gratitude to all plants and teachers.

The last of the Camellias

Winter is over and so too are Camellias. They bloom from December into early April. Here are the last blooms from my plants which I overwinter in a cold room in my house.

Camellia with branch of Cherry.
The vase is by the Navajo American artist Samuel Manymules.

 

Same branch of Cherry. Different Camellia and vase. This Shigaraki style vase is by Sue Kotulek

Same branch of Cherry. Different Camellia and vase.
This Shigaraki style vase is by Sue Kotulek

The light in the tea house is natural and wonderful when dark and dusky. It shows off this pale pink Camellia highlighted by the grey, subdued vase by Sue Kotulek. The branch is a budding Pussy Willow. the scroll reads: “Everyday is a good day.”

The light in the tea house is natural and wonderful when dark and dusky. It shows off this pale pink Camellia highlighted by the grey, subdued vase by Sue Kotulek. The branch is a budding Pussy Willow. The scroll reads:“Everyday is a good day.”

Not only are the buds of a Camellia beautiful, but so too are the glossy, green leaves. Here they are paired with a branch of budding Magnolia in a vase by Frances Palmer.

Not only are the buds of a Camellia beautiful, but so too are the glossy, green leaves. Here they are paired with a branch of budding Magnolia in a vase by Frances Palmer.

A small, intimate garden

I went over to Olana the other day looking for trees that had big leaves. I needed a leaf to use as a lid on a glass water container for tea. Here you can see the leaves I collected. The vase is the squiggly shaped glass object – designed by Alvaro Alto.

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Olana, which is five minutes from my house, is the Persian style home of Hudson River artist Frederic Church. After an 18-month trip to Europe and the Middle East, Church hired architect Calvert Vaux and worked with him on the design of the mansion, which was constructed between 1870 and 1872. It sits on top of a hill with sweeping views of the Hudson River and the Catskills.

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Olana is a grand and fascinating place

I had just returned from a month in Italy. The only garden I saw on the trip was the Boboli garden in Florence which is a huge, formal and cold place to my eyes. There were a lot of tall hedges and massive areas that implied wealth and prestige. It wasn’t interesting to me at all.

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Boboli Garden in Florence, Italy

But now I was back home and at Olana. I decided to wander over to the flower garden which I hadn’t seen in a couple of years. It’s a tiny garden by a wall out of sight of the house. There are no grand gestures or sweeping views of the mountains. It’s a small and intimate place with a path that seems to meander with no haste. Truly a great garden with no artifice. Enjoy!

Flowers spilling over the path. A smoke bush in the far back. Different heights of planting. The path curves.

Flowers spilling over the path. A smoke bush in the far back.
Different heights of planting. The path curves.

The path curves up and hugs the wall. Blue delphinum, purple catmint and the leaves of peony and grasses lead the way.

The path curves up and hugs the wall. Blue Delphinum, purple Catmint
and the leaves of peony and grasses lead the way. 

Almost to the end with the view in site. Leaves of Iris, pink Hollyhock and always a smattering of yellow.

Almost to the end with the view in site. Leaves of Iris, pink Hollyhock and
a splash of yellow Heliopsis

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The garden is enchanting and how wonderful to find this bench where
I could sit and reflect on the quiet beauty of the place.

 

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When I set out on my quest for a leaf to cover the Alvaro Alto vase I never
thought it would lead me to this magical place.

For more about Olana

One of my favorite gardens only minutes away

blithwood garden in winter

Blithwood is the ultimate romantic, hidden garden on the banks of the Hudson River with views of the Catskill Mountains beyond. The Italianate garden is walled on three sides with a small reflecting pool in the center.

blithewood The garden sits below a turn-of-the-century mansion overlooking the Hudson River. The land dates back to a vast track bought from the Indians in 1680. The grounds began their metamorphosis from untamed woods into a carefully landscaped estate in the 1830s, when Robert Donaldson of North Carolina acquired the property and gave it the name Blithewood. He commissioned Andrew Jackson Downing, one of the foremost landscape artists of the day, to design the grounds.

I first came upon this house in the mid 70’s when, like many other estates along the Hudson, it was abandoned. I have an old photo of the main door with OM painted across it.

Since then it’s come into the possession of Bard College which has restored the house and sunken garden below it. Climbing vines, roses, pergola covered with wisteria, boxwood and grasses create a place of tranquil beauty.

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